This is a really good album, tho not as great as their debut. While the first album had whopper power-pop hooks all the way thru, this is more introspective. I'm happy to hear Nic Hessler playing on this album too.
Favorite track: Racing Country.
This album reminds me of the time when Power Pop was very much in the spotlight of music. Reminiscent of Big Star or the Dwight Twilley Band, the sounds are jangly and the vocals dusky and swirly. I love this group and album because they capture that sound perfectly. Not too many groups are doing that this day, but EZTV does it perfectly.
Favorite track: High Flying Faith.
Year after year the New York City we know, in constant flux, changes with some parts disappearing altogether. Take the Brooklyn venue where the three-piece EZTV played their first show two years ago — gone. The East Village record store that stocked the band's first tape on consignment — shuttered. As the band watch their compatriots move out of the city to cheaper, more idyllic pastures, it's as if New York itself is telling them: "Drop dead." When lead singer, songwriter and guitarist Ezra Tenenbaum sings, "Facedown on the concrete, While I dream of wider streets" on "States of Confusion," you can hear weariness in his voice, and a touch of wistful "what-if" longing for more room, a little less hassle, a few more trees... maybe even a garage to park the 8-track machine.
But the shining "High Flying Faith"— the first song written for the album — is a refutation of urban weariness, it's title perhaps acting as a makeshift motto for the optimism (and stubbornness) that is key to New York bands like EZTV. Inspired by the lyrics of "Broken Heart" by Skip Spence, it's a 12-string-propelled nugget that best shows how EZTV operate: toeing the line between past and present, with a keen ear for left-of-the-dial experimentation that never lets the songs hew too far into pastiche and genre nostalgia. Many of the band's foundational inspirations — the Feelies' upstart jangle, the upside-down pop architecture of Arthur Russell's power pop band The Necessaries, Shoes' aching harmonies — are back in play on High in Place, their sophomore album, though new instruments and feels abound throughout. Produced and engineered by the band themselves, a baby grand piano rings and 12-string acoustic guitars shimmer throughout the album, recalling the clear-eyed production techniques of Jeff Lynne.
One great advantage to living in New York: eventually all your friends come to visit. Taking advantage of tour stopovers, trips to attend weddings, or even just commandeering someone's vacation for a few days, EZTV invited some like-minds and fellow songwriters into the studio — Jenny Lewis, Chris Cohen, Martin Courtney and Matt Kallman of Real Estate, John Andrews of Quilt, Nic Hessler and Mega Bog — to guest on High in Place. Aptly recorded on a tape machine purchased from a Lower East Side Studio that was going out of business, in a space where the New York City skyline both loomed and inspired through its glass windows, High in Place is an album of ten golden pop songs worthy of any era.
It's not entirely accurate to say that EZTV met while trying out for J. Spaceman’s US touring line-up of Spiritualized, but
it’s not far from the truth. Songwriter and audio engineer Ezra Tenenbaum had been casually working on solo home recordings on his Tascam 8-Track and, in a desire to round out the songs, he enlisted bassist Shane O’Connell and drummer Michael Stasiak (formerly of Widowspeak)....more